mechanical part, and the intellectual part. First, you want the hand to pitch where you please, and then the head to know where to pitch, according to the player.
To learn the Art of Bowling.—1. First, consult with some Lillywhite or Wisden, and fix on one, and one only, plan of holding the ball, manageable pace, and general style of delivery. Consult and experiment till you have chosen the style that suits the play of your muscles and your strength. If you choose a violent and laborious style, you will certainly become tired of it: but a style within your strength will be so delightful that you will be always practising. Secondly, having definitely chosen one form and style of bowling, the next thing is to fix it and form it into a habit: for, on the law of Habit a bowler's accuracy entirely depends.
To form a steady habit of bowling, the nerves and muscles being a very delicate machinery, you must be careful to use them in one way, and one way only; for then they will come to serve you truly and mechanically: but, even a few hours spent in loose play—in bowling with few steps or many, or with a new mode of delivery—will often establish conflicting habits, or call into action a new set of muscles, to interfere with the muscles on which you mainly depend. Many good players (including the most destructive of the
