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ANTHEIL—1924-1926
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will receive diminished applause. There may even be found those of severer taste who will prefer the distinct outline of a Ballet Mechanique as shown by the Pleyela role alone, or with the meagre allowance of mechanical sound offered on June 19th, to the seduction of cymbals and xylophones (July performance), or who will at least find it easier to comprehend in the former way, at the start, awaiting the composer’s next move, and believing that the vitality of music is in its lateral rather than its perpendicular movement.
