Phaedo.
Socrates, Cebes.
When she saw us she uttered a cry and said, as women will: ‘O Socrates, this is the last time that either you will converse with your friends, or they with you.’ Socrates turned to Crito and said: ‘Crito, let some one take her home.’ Some of Crito’s people accordingly led her away, crying out and beating herself. Socrates, whose chains have now been taken off, is led by the feeling of relief to remark on the curious manner in which pleasure and pain are always conjoined.And when she was gone, Socrates, sitting up on the couch, bent and rubbed his leg, saying, as he was rubbing: How singular is the thing called pleasure, and how curiously related to pain, which might be thought to be the opposite of it; for they are never present to a man at the same instant, and yet he who pursues either is generally compelled to take the other; their bodies are two, but they are joined by a single head. And I cannot help thinking that if Aesop had remembered them, he would have made a fable about God trying to reconcile their strife, and how, when he could not, he fastened their heads together; and this is the reason why when one comes the other follows: as I know by my own experience now, when after the pain in my leg which was caused by the chain pleasure appears to succeed.
Upon this Cebes said: I am glad, Socrates, that you have mentioned the name of Aesop. For it reminds me of a question which has been asked by many, and was asked of me only the day before yesterday by Evenus the poet—he will be sure to ask it again, and therefore if you would like me to have an answer ready for him, you may as well tell me what I should say to him:—he wanted to know why you, who never before wrote a line of poetry, now that you are in prison are turning Aesop’s fables into verse, and also composing that hymn in honour of Apollo.
Having been told in a dream that he should compose music, in order to satisfy a scruple about the meaning of the dream he has been writing verses while he was in prison.
Tell him, Cebes, he replied, what is the truth—that I had no idea of rivalling him or his poems; to do so, as I knew, would be no easy task. But I wanted to see whether I could purge away a scruple which I felt about the meaning of certain dreams. In the course of my life I have often had intimations in dreams ‘that I should compose music.’ The same dream came to me sometimes in one form, and sometimes in another, but always saying the same or nearly the same words: ‘Cultivate and make music,’ said the dream. And hitherto I had imagined that this was only intended to
