Another is the Che Vinic, the Man of the Woods, called by the Spanish population the Salonge. He is a huge fellow without bones or joints. For that reason if he lies down he cannot rise without extreme difficulty; hence he sleeps leaning against a tree. His feet are reversed, the heels in front, the toes behind. He is larger and stronger than a bull, and his colour is red. In his long arms he carries a stick the size of a tree-trunk. He is on the watch for those who stray through the woods, and, if he can, will seize and devour them. But a ready-witted man has always a means of escape. All he has to do is to pluck a green branch from a tree, and waving it before him begin a lively dance. This invariably throws the Wood Man into convulsions of mirth. He laughs and laughs until he falls to the ground, and once down, having no joints, he cannot rise, and the hunter can proceed leisurely on his journey. It is singular, Dr. Berendt, how widely distributed is the belief in this strange fancy. It recurs in precisely the same form in Yucatan, in Peten, in Tabasco, around Palenque, &c.
Another ugly customer is the Culcalkin. This word means "the priest without a neck," and the hobgoblin so named is described as a being with head cut off even with the shoulders, who wanders around the villages at night, frightening men and children.
In contrast to the giants are the dwarfs and imps which are ready in their malicious ways to sour the pleasures of life. The most common of these are the h'lox, or more full h'loxkatob, which means "the strong clay images."[1] They are, indeed, believed to be the actual idols and figures in clay which are found about the old temples and tombs, and hence an Indian breaks these in pieces whenever he finds them, to the great detriment of archæological research. They only appear after sunset, and then in the shape of a child of three or four years, or sometimes not over a span in height, naked except wearing a large hat. They are swift of foot, and can run backwards as fast as forwards.
- ↑ The derivation of this word is from kat, which in the Diccionario Maya- Espanol del Convento de Motul, MS. of about 1580, is defined as "la tierra y barro de las olleras," but which Perez in his modern Maya dictionary translates as "ollas ô figuras de barro"; ob, is the plural termination; lox, is strong, or the strength of anything; h' or ah, as it is often written, is the rough breathing which in Maya indicates the masculine gender.
