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The Grateful Dead.

ghost appears as an angel instead of a human being in Basque; and the promised division concerns the wife and three sons in Gaelic, a single babe in Basque. Thus, apart from the title, there is little to substantiate Webster's theory. The differences are certainly more important than those between any two versions of Jean de Calais. In some particulars, like the voyages and the portrait on the ship, Basque is more nearly normal, while in others, like the account of the treachery and the appearance of the ghost, Gaelic conforms to the ordinary form. Certainly Basque II. is to be regarded as a fairly close relative of Lithuanian II. and Jean de Calais.

In Breton VII. a normal form appears, though with some embroidery of details. A merchant's son, Iouenn Kermenou, goes out with his father's ship to trade. He pays the greater part of the proceeds of the cargo to ransom and bury the corpse of a debtor, which dogs are devouring. On his way home he gives the rest of his money to ransom a princess, who is being carried to a ravaging serpent, which has to be fed with a royal princess every seven years. He is cast off by his father when he reaches home, but is supported by an aunt and enabled to marry his lady. After a son has been born to them, he is sent out by an uncle on another ship, which by his wife's counsel has the figure of himself and herself with their child carved on the prow. He comes to her father's realm, and after some misunderstanding is sent back with two ministers of state for the princess. While returning with her, he is pushed overboard by the first minister, who is an old suitor for the lady's hand, but swims ashore on a desert island. The wife goes to court, and after three years consents to marry the minister. All this time Iouenn lives alone on his rock, but at the end is greeted by the ghost of the man whose body he buried, which appears in a very