gratified, if such of my readers as are able, and will take the pains to compare me in this respect with Homer, shall judge that I have in any measure attained a point so difficult.
As to energy and harmony, two grand requisites in a translation of this most energetic and most harmonious of all poets, it is neither my purpose nor my wish, should I be found deficient in either, or in both, to shelter myself under an unfilial imputation of blame to my mother-tongue. Our language is indeed less musical than the Greek, and there is no language with which I am at all acquainted that is not. But it is musical enough for the purposes of melodious verse, and if it seem to fail, on whatsoever occasion, in energy, the blame is due, not to itself, but to the unskilful manager of it. For so long as Milton's works, whether his prose or his verse, shall exist, so long there will be abundant proof that no subject, however important, however sublime, can demand greater force of expression than is within the compass of the English language.
I have no fear of judges familiar with original Homer. They need not be told that a translation of him is an arduous enterprize, and as such, entitled to some favour. From these, therefore, I shall expect, and shall not be disappointed, considerable candour and allowance. Especially they will be candid, and I believe that there are many such, who have occasionally tried their own strength in this bow of Ulysses. They have not found it supple and pliable, and with me are perhaps ready to acknowledge that they could not always even approach with it the mark of their ambition.But
