confess that I have not at all consulted their approbation, who account nothing grand that is not turgid, or elegant that is not bedizened with metaphor.
I purposely decline all declamation on the merits of Homer, because a translator's praises of his author are liable to a suspicion of dotage, and because it were impossible to improve on those which this author has received already. He has been the wonder of all countries that his works have ever reached, even deified by the greatest names of antiquity, and in some places actually worshipped. And to say truth, were it possible that mere man could entitle himself by pre-eminence of any kind to divine honours, Homer's astonishing powers seem to have given him the best pretensions.
I cannot conclude without due acknowledgments to the best critic in Homer I have ever met with, the learned and ingenious Mr. Fuseli. Unknown as he was to me when I entered on this arduous undertaking (indeed to this moment I have never seen him) he yet voluntarily and generously offered himself as my revisor. To his classical taste and just discernment I have been indebted for the discovery of many blemishes in my own work, and of beauties, which would otherwise have escaped me, in the original. But his necessary avocations would not suffer him to accompany me farther than to the latter books of the Iliad, a circumstance which I fear my readers, as well as myself, will regret with too much reason.[1]
- ↑ Some of the few notes subjoined to my translation of the Odyssey are by Mr. Fuseli, who had a short opportunity to peruse the MSS. while the Iliad was printing. They are marked with his initial.
I have
