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ARGUMENT OF THE PLAY
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much rejoicing and drinking. Rumi-ñaui pretended to join in the festivities, but when most of them were wrapped in drunken sleep, he opened the gates, let in his own men, and made them all prisoners.

There is next another scene in the garden of the convent, in which Yma Sumac importunes Pitu Salla to tell her the secret of the prisoner. Pitu Salla at last yields and opens a stone door. Cusi Coyllur is discovered, fastened to a wall, and in a dying state. She had been imprisoned, by order of her father, Inca Pachacuti on the birth of Yma Sumac. She is restored with food and water, and the relationship is discovered when Cusi Coyllur hears the child's name, for she had given it to her.

Next the Inca Tupac Yupanqui is discovered in the great hall of his palace, seated on his tiana or throne, with the Uillac Uma in attendance. To them enters a chasqui, or messenger, who describes the result of Rumi-ñaui's treachery in octosyllabic quatrains. Rumi-ñaui himself enters and receives the thanks of his sovereign. Then the prisoners are brought in guarded—Ollantay, Hanco Huayllu, Urco Huaranca, and Piqui Chaqui. The Inca upbraids them for their treason. He then asks the Uillac Uma for his judgment. The High Priest recommends mercy. Rumi-ñaui advises immediate execution. The Inca seems to concur and they are ordered off, when suddenly the Inca cries 'Stop.' He causes them all to be released, appoints Ollantay to the highest post in the empire next to himself, and Urco Huaranca to a high command. There are rejoicings, and in the midst of it all Yma Sumac forces her way into the hall, and throws herself at the Inca's feet, entreating him to save her mother from death. The Inca hands over the matter to Ollantay, but this Yma Sumac will not have, and, the Uillac Uma intervening, the Inca consents to go with the child.