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me; " Because I have been worshipped by thee with garlands of flowers growing in trackless forest-regions, brought with thy own hand, therefore thou shalt be one of my Ganas, and shalt bear the name of Mályaván." Then I cast off my mortal frame, and immediately attained the holy state of an attendant on the god. And so my name of Mályaván was bestowed upon me by him who wears the burden of the matted locks,*[1] as a mark of his special favour. And I, that very Mályaván, have once more, O Kánabhúti, been degraded to the state of a mortal, as thou seest, owing to the curse of the daughter of the mountain, therefore do thou now tell me the tale told by Śiva, in order that the state of curse of both of us may cease.
Note to Chapter VII.
"Rakshasas, Yakshas, and Piśáchas have no power in the day, being dazed with the brightness of the sun therefore they delight in the night."
Farmer commenting on Hamlet, Act I, Sc. I, 150, quotes the following lines of Prudentius Ad Gallicinium. Ferunt vagantes dæmonas,Lætos tenebris noctium, Gallo canente exterritos, Sparsim timere et cedere. Hoc esse signum præscii Norunt repromissæ spei, Qua nos soporis liberi Speramus adventum Dei. Douce quotes from another hymn said to have been composed by Saint Ambrose and formerly used in the Salisbury service. Præco diei jam sonat, Noctis profundæ pervigil; Nocturna lux viantibus, A nocte noctem segregans. Hoc excitatus Lucifer Solvit polum caligine; Hoc omnis errorum cohors Viam nocendi deserit. Gallo canente spes redit &c.
CHAPTER VIII.
In accordance with this request of Gunádhya that heavenly tale consisting of seven stories was told by Kánabhúti in his own language, and Gunádhya for his part using the same Paiśácha language threw them into seven hundred thousand couplets in seven years; and that great poet, for fear that the Vidyádharas should steal his composition, wrote it with his own blood in the forest, not possessing ink. And so the Vidhyádharas, Siddhas and other demigods came to hear it, and the heaven above where Kánabhúti was reciting, was, as it were, continually covered with a canopy. And Kánabhúti, when he had seen that great tale composed by Gunádhya, was released from his curse and went to his own place. There were also other Piśáchas that accompanied him in his wanderings: they too all of them attained heaven, having heard that heavenly tale. Then that great poet
- ↑ * I.e., Śiva.
