Page:The Kiss and Other Stories by Anton Tchekhoff, 1908.pdf/131

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134
THE REED

"Poor Luka."

"Well, good-bye, Luka. Thanks for your good words. Damka! Come!"

Having taken leave of the shepherd, Meliton walked along the wood, and thence through a meadow that gradually merged in a marsh. The water rose in his foot-prints, and the rusty reed-grass bent, as if afraid of his tread. Beyond the marsh, on the banks of the Pestchanka of which grandfather Luka had spoken, rose willows; and behind the willows, in blue patches, stood the squire's barns. The world around presaged the coming of that sad, inevitable time when fields turn dark, when earth grows muddy and cold, when the weeping willow is sadder and down its trunk creep tears, when the crane alone evades the universal wretchedness; and even he, afraid to anger grieved Nature by boasting his delight, fills the air with a tedious, melancholy song.

Meliton walked to the river, and heard the sounds of the reed fading slowly away. He still wished to complain. He looked about him sadly, filled with intolerable pity for the sky, the earth, the sun, the woods, his Damka; and as a high note from the reed whined and trembled past his ears, he felt intense bitterness and offence at the chaos reigning throughout the world.

The high note quivered, and ceased, and the reed was still.