Page:The Kiss and Other Stories by Anton Tchekhoff, 1908.pdf/139

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LA CIGALE
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On Wednesdays she gave evening parties. There were no cards and no dancing. Hostess and guests devoted themselves to art. The actor recited, the singer sang, artists sketched in Olga Ivanovna's numberless albums; the hostess painted, modelled, accompanied, and sang. In the pauses between these recreations, they talked of books, the theatre, and art. No women were present, because Olga Ivanovna considered all women, except actresses and dressmakers, tiresome and contemptible. When the hall bell rang the hostess started, and exclaimed triumphantly, "It's he!" meaning thereby some newly met celebrity. Duimoff kept out of sight, and few remembered his existence. But at half-past eleven the dining-room door flew open, and Duimoff appeared with a kindly smile, rubbed his hands, and said—

"Come, gentlemen, to supper!"

Whereupon all thronged to the dining-room, and each time found awaiting them the same things: a dish of oysters, a joint of ham or veal, sardines, cheese, caviare, mushrooms, vodka, and two decanters of wine. "My dear maître ďhôtel!" cried Olga Ivanovna, waving her hands ecstatically. "You are simply adorable! Gentlemen, look at his forehead! Duimoff, show us your profile. Look at him, gentlemen: it is the face of a Bengal tiger with an expression as kind and good as a deer's. My sweetheart!"

And the guests ate steadily and looked at Duimoff.