ORAIBI GIRLS GRINDING CORN.
êsi?" (am I welcome?) which brings a hearty response. The houses have thick walls of flat stone, laid up in mud, plastered inside and out, and are pleasantly cool in the summer. The hard, smooth, plastered floor is the general sitting place, with the interposition of a blanket or sheepskin. The low bench, or ledge, which often runs around the room, is also used as a seat. Perhaps the ceiling will appear strange. The large cottonwood beams with smaller cross-poles backed with brush; above that, grass and a top layer of mud form a very picturesque ceiling and effective roof. From the center of the ceiling hangs a feather tied to a cotton string. This is the soul of the house and the sign of its dedication; no house is without one. Around the walls and from the beams hang all sorts of quaint belongings—painted wooden dolls, bows and arrows, strings of dried herbs and mysterious bundles, likely of trappings for the dances—enough to stock a museum. In well-to-do families the blanket pole, extending across the room, is loaded with their riches in the shape of harness, sashes, blankets and various other valuables. In one corner is a fireplace with hood; sunk in the floor are the corn mills; near by is a large water jar with dipper, and sundry pieces of pottery are scattered about. Usually the
MAKING BREAD (PIKI).
