Page:The Mystery of the Blue Train.pdf/261

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POIROT PLAYS THE SQUIRREL
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for you that which was lost. You must ask no questions.' Do you know, Mademoiselle, why I said these things?"

"I have no idea," said the girl coldly.

"It was because I had a soft spot in my heart for a little pensionnaire, so pale, so thin, so serious."

"I don't understand what you are talking about," cried Zia angrily.

"Do you not, Mademoiselle? Have you forgotten Antonio Pirezzio?"

He heard the quick intake of her breath—almost a gasp.

"He came to work as an assistant in the shop, but not thus could he have got hold of what he wanted. An assistant can lift his eyes to his master's daughter, can he not? If he is young and handsome with a glib tongue. And since they cannot make love all the time, they must occasionally talk of things that interest them both—such as that very interesting thing which was temporarily in M Papopolous' possession. And since, as you say, Mademoiselle, the young are foolish and credulous, it was easy to believe him and to give him a sight of that particular thing, to show him where it was kept. And afterwards when it is gone—when the unbelievable catastrophe has happened. Alas! the poor little pensionnaire. What a terrible position she is in. She is frightened, the poor little one. To speak or not to speak? And then there comes along that excellent fellow, Hercule Poirot. Almost a miracle it must have been, the way things arranged themselves. The priceless heirlooms are restored and there are no awkward questions."

Zia turned on him fiercely.