has not survived. In Ireland, if it ever existed there, it gave place to stories of descent from fictitious personages, like Mile, son of Bile, invented by the early scribes, or from Biblical patriarchs.
Apollonius, writing in the third century b. c, reports a Celtic myth about the waters of Eridanus. Apollo, driven by his father's threats from heaven because of the son whom Karonis bore to him, fled to the land of the Hyperboreans; and the tears which he shed on the way formed the tossing waters.9 Some Greek myth is here mingled with a local legend about the origin of a stream and a Celtic god, possibly Belenos, who had a neighbouring temple at Aquileia. In an island of the Hyperboreans (a Celtic people dwelling beyond the Rhipaean Mountains whence Boreas blew) was a circular temple where Apollo was worshipped. Every year near the vernal equinox the god appeared in the sky, harping and dancing, until the rising of the Pleiades.10 It is natural that this "circular temple" should have been found in Stonehenge.
Lucian (second century a. d.) describes a Gaulish god Ogmios, represented as an old man, bald-headed and with wrinkled and sun-burnt skin, yet possessing the attributes of Hercules—the lion's skin, the club, the bow, and a sheath hung from his shoulder. He draws a multitude by beautiful chains of gold and amber attached to their ears, and they follow him with joy. The other end of the chains is fixed to his tongue, and he turns to his captives a smiling countenance. A Gaul explained that the native god of eloquence was regarded as Hercules, because he had accomplished his feats through eloquence; he was old, for speech shows itself best in old age; the chains indicated the bond between the orator's tongue and the ears of enraptured listeners.11
Lucian may have seen such a representation or heard of a Gaulish myth of this kind, and as we shall see, an Irish god Ogma, whose name is akin to that of Ogmios, was a divine warrior and a god of poetry and speech. Ogma is called
