a little; the woman then follows him with a push, and also retires. They continue their alternate movement, keeping proper time. Placing foot against foot, and hand against hand, they keep up the motion of a bucket in a well.
Second movement.—En netahi (the mutual shock). After the introduction, they each draw back, but without dislodging the member completely. Then they both push tightly together, and thus go on keeping time.
Third movement.—El motadani (the approach). The man moves as usual, and then stops. Then the woman, with the member in her receptacle, begins to move like the man, and then stops. And they continue this way until the ejaculation comes.
Fourth movement.—Khiate el heub (Love's tailor). The man, with his member being only partially inserted in the vulva, keeps first up a sort of quick friction with the part that is in, and then suddenly plunges his whole member in up to its root. This is the movement of the needle in the hands of the tailor, of which the man and woman must take cognisance.
This movement only suits such men and women who can at will retard the crisis. With those who are otherwise constituted it would act too quickly.
Fifth movement.—Souak et feurdj (the toothpick in the vulva). The man introduces his member between the walls of the vulva, and then drives it up and down, and right and left. Only a man with a very vigorous member can execute this movement.
Sixth movement.—Tachik el heub (the boxing up of love). The man introduces his member entirely into the vagina, so closely that his hairs are completely mixed up
