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ST. IRVYNE; OR THE ROSICRUCIAN.
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event of consequence; suffice it to say, that they arrived at the spot where Wolfstein's new possessions were situated.

Dark and desolate were the scenes which surrounded the no less desolate castle. Gloomy heaths, in unvarying sadness of immensity, stretched far and wide. A scathed pine or oak, blasted by the thunderbolts of heaven, alone broke the monotonous sameness of the imagery. Needless were it to describe the castle, built like all those of the Bohemian barons, in mingled Gothic and barbarian architecture. Over the dark expanse the dim moon beaming, and faintly, with its sepulchral radiance, dispersing the thickness of the vapours which lowered around (for her waning horn, which hung low above the horizon, added but tenfold horror to the terrific desolation of the scene); the night-raven pouring on the dull ear of evening her frightful screams, and breaking on the otherwise uninterrupted stillness,—were the melancholy greetings to their new habitation.

They alighted at the antique entrance, and, passing through a vast and comfortless hall, were conducted into a saloon not much less so. The coolness of the evening, for it was late in the autumn, made the wood fire, which had been lighted, disperse a degree of comfort; and Wolfstein, having arranged his domestic concerns, continued talking with Megalena until midnight.

"But you have never yet correctly explained to me," said Megalena, "the mystery which encircled that strange man whom we met at the inn at Breno. I think I have