less? Surely, the adoration of two beings unfettered by restraint, must be most acceptable!—But, come, Eloise, this conversation is nothing to the purpose: I see we both think alike, although the terms in which we express our sentiments are different. Will you sing to me, dear Eloise?" Willingly did Eloise fetch her harp; she wished not to scrutinize what was passing in her mind, but, after a short prelude, thus began:
SONG.
I.
Ah! faint are her limbs, and her footstep is weary,
Yet far must the desolate wanderer roam;
Though the tempest is stern, and the mountain is dreary.
She must quit at deep midnight her pitiless home.
I see her swift foot dash the dew from the whortle,
As she rapidly hastes to the green grove of myrtle;
And I hear, as she wraps round her figure the kirtle,
"Stay thy boat on the lake,—dearest Henry, I come."
II.
High swell'd in her bosom the throb of affection,
As lightly her form bounded over the lea,
And arose in her mind every dear recollection:
"I come, dearest Henry, and wait but for thee."
How sad, when dear hope every sorrow is soothing,
When sympathy's swell the soft bosom is moving,
And the mind the mild joys of affection is proving,
Is the stern voice of fate that bids happiness flee!
III.
Oh! dark lower'd the clouds on that horrible eve,
And the moon dimly gleam'd through the tempested air;
Oh! how could fond visions such softness deceive?
Oh! how could false hope rend a bosom so fair?
Thy love's pallid corse the wHd surges are laving,
O'er his form the fierce swell of the tempest is raving;
But, fear not, parting spirit; thy goodness is saving,
In eternity's bowers, a seat for thee there.
