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THE SACRED TREE

the mouth of a little creek that ran in from the sea. The charms of the place were such as a very skilful landscape-painter might possibly manage to convey; to describe them in words would, I fear, be quite useless. The contrast with the uncomfortable quarters where he had been cooped up for months was immense. The house was equipped with every possible elegance and convenience; it scarcely fell short of the great mansions which he had been used to frequent at the Capital; and indeed in many respects surpassed them. Thus admirably served and lodged Genji began to regain some of his equanimity and was soon engaged in writing letters to his friends at the Capital. The messenger who had brought Murasaki’s letter was far too much shaken by his previous experiences to be sent back immediately to the City and Genji had left him behind at Suma. He now sent for him and entrusted to him a letter in which he described all that he had recently been through and with many tender messages explained the reasons which had led him to his new abode. He also sent private intimation of his whereabouts and present condition to various holy men who were charged to pray for his welfare. To Fujitsubo he sent an account of the thunderstorm and his own almost miraculous escape from harm. He had tried to write an answer to Murasaki’s letter during the melancholy period when he was still at Suma, but had never managed to finish it, for his tears fell so fast that he was forever putting the letter aside. And it was indeed a piteous sight to see him stop again and again to wipe away the tears that soiled his page. In this letter he said: ‘More than once my misery has become so intense that I was fully determined to give up my career and end my days in some cloister cell. But then I always remembered your little poem[1]: and felt that it was impos-

  1. The mirror-poem, p. 108.