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CRITICAL ANNOTATIONS.
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lady; and it is gratifying to find, that she gives us no reason to retract or modify in any degree the applause already bestowed, and that every fresh exhibition of her powers enhances and confirms her claims upon our admiration. Mrs Hemans is indeed but in the infancy of her poetical career; but it is an infancy of unrivalled beauty, and of very high promise. Not but that she has already performed more than has often been sufficient to win for other candidates no mean place in the roll of fame, but because what she has already done, shrinks, when compared with what we consider to be her own great capacity, to mere incipient excellence—the intimation rather than the fulfillment of the high destiny of her genius.

...The verses of Mrs Hemans appear the spontaneous offspring of intense and noble feeling, governed by a clear understanding, and fashioned into elegance by an exquisite delicacy and precision of taste. With more than the force of many of her masculine competitors, she never ceases to be strictly feminine in the whole current of her thought and feeling, nor approaches by any chance the verge of that free and intrepid course of speculation, of which the boldness is more conspicuous than the wisdom, but into which some of the most remarkable among the female literati of our times have freely and fearlessly plunged. She has, in the poem before us, made choice of a subject of which it would have been very difficult to have reconciled the treatment, in the hands of some female authors, to the delicacy which belongs to the sex, and the tenderness and enthusiasm which form its finest characteristics. A coarse and chilling cento of the exploded fancies of modern scepticism, done into rhyme by the hand of a woman, would have been doubly disgusting, by the revival of absurdities long consigned to oblivion, and by the revolting exhibition of a female mind shorn of all its attractions, and wrapt in darkness and defiance. But Mrs Hemans has chosen the better and the nobler cause, and, while she has left in the poem before us every trace of vigorous intellect of which the subject admitted, and has far transcended in energy of thought