the Garter; and though he has no hat, probably a broad-brimmed velvet hat, with curling white plumes, found loose in the doll box, is his property.
Queen Elizabeth (27). Countess of Jedburgh (69). Mlle Rosalie Taglioni (9). Mlle. Brocard (105).
Amy Robsart (51), who was played in the ballet by Mlle. Brocard, a very popular dancer of the period, has a long, narrow riding habit of green satin, with a short habit bodice of the same material trimmed with a narrow gold line down the front, and coming to a point at the waist. Her sleeves are tight, and she wears a large broad-brimmed black velvet hat of the "Di Vernon" shape, with white curling feathers falling on to her forehead. This is one of the most realistic of all the dolls, and the dress was no doubt an exact reproduction of the one worn by the actress.
The Countess of Leicester (2).
Queen Elizabeth (27) in this ballet (dressed by Baroness Lehzen) is magnificently attired in a robe of gold tinsel stuff with puffed sleeves and a heavy girdle of gold beads. Her long round train hanging from her shoulder is made of the same material trimmed with ermine and lined with bright crimson plush, as are also her shoes. Round her neck she wears pearls; and a wonderful little crown of crimson plush, with points of gold paper festooned with pearls, adorns the Royal head.
There is also a representation of the Countess of Leicester (2), probably in the famous grotto scene where she appears before the Queen when she comes to seek the Earl. Lovers of "Kenilworth" will remember how Amy, after her long ride and rencontre with Lambourne, escapes to the grotto, and is horrified at her appearance reflected in the basin of the fountain there. Scott tells us how, "reasoning like a woman to whom external appearance is scarcely in any circum-
