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THE STRAND MAGAZINE.

polis; but at the bottom of the cul was a wall, and beyond that again an ancient burial place, where the dust of many generations of men reposed. The wall was overtopped by the branches of a few stunted trees that were rooted in the graveyard; and these trees looked mournful and melancholy, with their blackened branches and soot-darkened leaves.

The house to which I traced Ronald Odell was the last one in the cul on the left-hand side, and consequently it abutted on the graveyard. It was the one house not utilised as offices, and I ascertained that it was in the occupation of a club consisting of Anglo-Indians. But what they did, or why they met, no one seemed able to tell. The premises were in charge of a Hindoo and his wife, and the members of the club met on an average five nights a week. All this was so much more mystery, but it was precisely in accord with the theory I had been working out in my own mind.

The next afternoon I went to the house, and the door was opened to my knock by the Hindoo woman, who was a mild-eyed, sad-looking little creature; I asked her if she could give me some particulars of the club that was held there, and she informed me that it was known as "The Indian Dreamers' Club." But beyond that scrap of information she did not seem disposed to go.

"You had better come when my husband is here," she said, thereby giving me to understand that her husband was absent. But as I deemed it probable that she might prove more susceptible to my persuasive influences than her husband, I asked her if she would allow me to see over the premises. She declined to do this until I displayed before her greedy eyes certain gold coins of the realm, which proved too much for her cupidity, and she consented to let me go inside. The entrance-hall was carpeted with a thick, massive carpet, that deadened every footfall, and the walls were hung with black velvet. A broad flight of stairs led up from the end of the passage, but they were masked by heavy curtains. The gloom and sombreness of the place were most depressing, and a strange, sickening odour pervaded the air. Led by the dusky woman I passed through a curtained doorway, and found myself in a most extensive apartment, that ran the whole depth of the building. From this apartment all daylight was excluded, the light being obtained from a large lamp of blood-coloured glass, and which depended from the centre of the ceiling. There was also a niche at each end of the room, where a lamp of the old Roman pattern burnt. The walls of the room were hung with purple velvet curtains, and the ceiling was also draped with the same material, while the floor was covered with a rich Indian carpet into which the feet sank. In the centre of the room was a table also covered with velvet, and all round the room were luxurious couches, with velvet cushions and costly Indian rugs. The same sickly odour that I had already noticed pervaded this remarkable chamber, which was like a tomb in its silence; for no sound reached one from the busy world without.

Although all the lamps were lighted it took me some time to accustom my eyes to the gloom and to observe all the details of the extraordinary apartment. Then I noted that on the velvet on one side of the room was inscribed in letters of gold, that were strikingly conspicuous against the sombre background, this sentence:

"TO DREAM IS TO LIVE! DREAM ON, FOR TO AWAKEN IS TO DIE!"

The dim light and the sombre upholstering of the room gave it a most weird and uncanny appearance, and I could not help associating with the Indian Dreamers' Club, rites and ceremonies that were far from orthodox; while the sentence on the velvet, and which I took to be the club's motto, was like the handwriting on the wall at Belshazzar's feast. It was pregnant with a terrible meaning.

While I was still engaged in examining the room a bell rang, and instantly the Hindoo woman became greatly excited, for she said it was her husband, and that he would be so fiercely angry if he found me there that she would not be responsible for the consequences. She therefore thrust me into a recess where a statue had formerly stood, but the statue had been removed, and a velvet curtain hung before the recess. Nothing could have happened more in accord with my desire than this. For I was resolved, whatever the consequences were, to remain in my place of concealment until I had solved the mystery of the club. There was an outer and an inner door, both of them being thickly padded with felt and covered with velvet. When the woman had retired and closed these doors the silence was absolute. Not a sound came to my ears. The atmosphere