it will be remembered, painted "The Pride of Battery B"—was only sixteen when he painted them. A grand skin from a St. Bernard has its story to tell. The Bishop had two such dogs. His lordship changed his coachman and groom. Together with his family the Bishop left the Palace for a time, and the dog pined away. His skin now lies by the window. Alas! his more callous wife is still alive in the stable. Two of its offspring are in the safe keeping of a well-known clergyman, who, being in doubt as to what name he should bestow upon his newly-purchased pups, out of gratitude for the invigorating influence of the Harrogate waters determined to call them Sulphur and Magnesia!
The Drawing-Room.
From a Photo. by Elliott & Fry.
The dining-room need be of goodly size—frequently some thirty or forty people sit down at its tables. There are many fine oil-paintings here. Two bear the initials "A. S." "A. S." was Arthur Stocks. When the Bishop of Ripon was vicar of St. James's, Holloway, Arthur Stocks was a superintendent in the Sunday school. He used to travel backwards and forwards twice every Sabbath to the school, and when he died he left a wish that his quondam vicar should have one of his works. It has the best place in the room, though there are several valuable works of the Titian School, and a striking canvas, believed to be a Mazzoni, which was picked up in a general shop in a western town.
A long corridor runs level with the dining-room outside. Its walls are lined with pictures and photographs, all reviving pleasant memories. A dual picture of Mr. and Mrs. H. M. Stanley is autographed by nearly all who signed the register on the occasion of their marriage—such names as W. E. Gladstone, Sir Frederick Leighton, and the Baroness Burdett-Coutts. It was the Bishop of Ripon who officiated at the ceremony—probably the first and only Bishop who has conducted a wedding service the whole of which was "received" into phonographs placed in the Abbey. There are excellent portraits of Gerald Wellesley, Dean of Windsor; whilst Archbishop Longley—who surely occupied more ecclesiastical Sees than any previous prelate—has signed himself as Ripon, Durham, York, and Canterbury to a striking portrait of himself. Henry Irving is not forgotten; but perhaps the most striking sketch is that of General Gordon—just by the side of a map of Khartoum. The inscription. reads: "General C. E. Gordon, from an hour's sketch I made of him on 21st December, 1882.—Ed. Clifford." Mr. Clifford was the only English artist the Hero of Khartoum ever sat to. Above the frame is a fac-simile of his last message: "I am quite happy, thank God; and, like Lawrence, I have tried to do my duty."
A photographic group of his lordship's working men's committee hangs near—their willing and kindly work is much valued. The Bishop is a purely practical prelate. This working men's committee has been formed with the aid of the clergy in Leeds. Leeds has some fifty parishes, and five working men are chosen out of each—giving a body of 250 strong. They help chiefly at special services such as those held on Good Fridays.
As we were discussing the peculiar advantages of soliciting the services of the working man to meet his brother workman, the distant
