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The Violent Tenor of Life
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the manners and customs of the Middle Ages. On the one hand, the sick, the poor, the insane, are objects of that deeply moved pity, born of a feeling of fraternity akin to that which is so strikingly expressed in modern Russian literature; on the other hand, they are treated with incredible hardness or cruelly mocked. The chronicler Pierre de Fenin, having described the death of a gang of brigands, winds up naïvely: "and people laughed a good deal, because they were all poor men." In 1425, an "esbatement" takes place in Paris, of four blind beggars, armed with sticks, with which they hit each other in trying to kill a pig, which is the prize of the combat. On the evening before they are led through the town, "all armed, with's great banner in front, on which was pictured a pig, and preceded by a man beating a drum."

In the fifteenth century, female dwarfs were objects of amusement, as they still were at the court of Spain when Velazquez painted their infinitely sad faces. Madame d'Or, the blond dwarf of Philip the Good, was famous. She was made to wrestle, at a court festival, with the acrobat Hans. At the wedding-feasts of Charles the Bold, in 1468, Madame de Beaugrant, the female dwarf of Mademoiselle of Burgundy, enters dressed like a shepherdess, mounted on a golden lion, larger than a horse; she is presented to the young duchess and placed on the table. As to the fate of these small creatures, the account-books are more eloquent for us than any sentimental complaint could be. They tell us of a dwarf-girl whom a duchess caused to be fetched from her home, and how her parents came to visit her from time to time and receive a gratuity. "Au père de Belon la folle, qui estoit venu veoir sa fille. . . . 27s. 6d." The poor fellow perhaps went home well pleased and much elated about the court function of his daughter. That same year a locksmith of Blois furnished two iron collars, the one "to make fast Belon, the fool, and the other to put round the neck of the monkey of her grace the Duchess."

In the harshness of those times there is something ingenuous which almost forbids us to condemn it. When the massacre of the Armagnacs was in full swing in 1418, the Parisians founded a brotherhood of Saint Andrew in the church of Saint Eustache: every one, priest or layman, wore a wreath of red roses, so that