best shewn by inference; lest by too much study to seem natural, we destroy the delight. For what is inviting in this sort of poetry (as Fontenelle observes) proceeds not so much from the Idea of a country life itself, as from that of its Tranquillity. We must therefore use some illusion to render a Pastoral delightful; and this consists in exposing the best side only of a shepherd's life, and in concealing its miseries. Nor is it enough to introduce shepherds discoursing together, but a regard must be had to the subject; that it contain some particular beauty in itself, and that it be different in every Eclogue. Besides, in each of them a design'd scene or prospect is to be presented to our view, which should likewise have its variety. This Variety is obtain'd in a great degree by frequent comparisons, drawn from the most agreeable objects of the country; by interrogations to things inanimate; by beautiful digressions, but those short; sometimes by insisting a little on circumstances; and lastly by elegant turns on the words, which render the numbers extremely sweet and pleasing. As for the numbers themselves, tho' they are properly of the heroic measure, they should be the smoothest, the most easy and flowing imaginable.
It is by rules like these that we ought to judge of Pastoral. And since the instructions given forany
