men, too, though it was rarely worn long, was commonly curled in a manner that suggested the barber, and baldness had vanished from the earth. Frizzy straight-cut masses that would have charmed Rossetti abounded, and one gentleman, who was pointed out to Graham under the mysterious title of an "amorist," wore his hair in two becoming plaits à la Marguerite. The pigtail was in evidence; it would seem that citizens of Manchurian extraction were no longer ashamed of their race. There was little uniformity of fashion apparent in the forms of clothing worn. The more shapely men displayed their symmetry in trunk hose, and here were puffs and slashes, and there a cloak and there a robe. The fashions of the days of Leo the Tenth were perhaps the prevailing influence, but the æsthetic conceptions of the Far East were also patent. Masculine embonpoint, which in Victorian times would have been subjected to the buttoned perils, the ruthless exaggeration of tight-legged, tight-armed evening dress, now formed but the basis of a wealth of dignity and drooping folds. Graceful slenderness abounded also. To Graham, a typically stiff man from a typically stiff period, not only did these men seem altogether too graceful in person, but altogether too expressive in their vividly expressive faces. They gesticulated, they expressed surprise, interest, amusement, above all they expressed the emotions excited in their minds by the ladies about them with astonishing frankness. Even at the first glance it was evident that women were in a great majority.
The ladies in the company of these gentlemen displayed in dress, bearing and manner alike, less empha-
342
