indeed like some swift stream about a rock. There this incredible man stood, on his official hearth-rug, talking, talking with enormous power and skill, talking as though a pause in his talk, his explanations, his presentation of standpoints and lights, of considerations and expedients, would permit some antagonistic influence to leap into being—into vocal being, the only being he could comprehend. There he stood amidst the slightly faded splendours of that official room in which one man after another had succumbed to the belief that a certain power of intervention was the creative control of an empire. . . .
The more he talked the more certain Redwood's sense of stupendous futility grew. Did the man realise that while he stood and talked there, the whole great world was moving, that the invincible tide of growth flowed and flowed, that there were any hours but parliamentary hours, or any weapons in the hands of the Avengers of Blood? Outside, darkling the whole room, a single leaf of giant Virginian creeper tapped unheeded on the pane.
Redwood became anxious to end this amazing monologue, to escape to sanity and judgment, to that beleaguered camp, the fastness of the future, where, at the very nucleus of greatness, the Sons were gathered together. For that this talking was endured. He had a curious impression that unless this monologue ended he would presently find himself carried away by it, that he must fight against Caterham's voice as one fights against a drug. Facts had altered and were altering beneath that spell.
What was the man saying?
282
