was quite magnificently extravagant. There was trouble in his last year, something hushed up about a girl or woman in London, but his family had it all over with him, and his uncle, the Earl of Beechcroft, settled some of his bills. Not all—for the family is commendably free from sentimental excesses—but enough to make him comfortable again. The family is not a rich one and it further abounds in an extraordinary quantity of rather frowsy, loose-tongued aunts—I never knew a family quite so rich in old aunts. But Chatteris was so good-looking, easy-mannered, and clever, that they seemed to agree almost without discussion to pull him through. They hunted about for something that would be really remunerative without being laborious or too commercial; and meanwhile—after the extraordinary craving of his aunt, Lady Poynting Mallow, to see him acting had been overcome by the united efforts of the more religious section of his aunts—Chatteris set himself seriously to the higher journalism—that is to say, the journalism that dines anywhere, gets political tips after dinner, and is always acceptable—if only to avoid thirteen articles—in a half-crown review. In addition, he wrote some very passable verse and edited Jane Austen for the only publisher who had not already reprinted the works of that classic lady.
His verse, like himself, was shapely and handsome, and, like his face, it suggested to the penetrating eye certain reservations and indecisions. There was just that touch of refinement that is weakness in the public man. But as yet he was not a public man; he
374
