leads people to speak habitually of the "Lower Classes," and to think in the vein of that phrase. They certainly had the same virtues, a conscious and conscientious integrity, a hard nobility without one touch of magic, an industrious thoroughness. More than in anything else, Adeline delighted in her novelist's thoroughness, her freedom from impressionism, the patient resolution with which she went into the corners and swept under the mat of every incident. And it would be easy to argue from that, that Adeline behaved as Mrs. Ward's most characteristic heroine behaved on an analogous occasion.
Marcella, we know—at least after her heart was changed—would have clung to him. There would have been a moment of high emotion in which thoughts—of the highest class—mingled with the natural ambition of two people in the prime of life and power. Then she would have receded with a quick movement and listened with her beautiful hand pensive against her cheek, while Chatteris began to sum up the forces against him—to speculate on the action of this group and that. Something infinitely tender and maternal would have spoken in her, pledging her to the utmost help that love and a woman can give. She would have produced in Chatteris that exquisite mingled impression of grace, passion, self-yielding, which in all its infinite variations and repetitions made up for him the constant poem of her beauty.
But that is the dream and not the reality. So Adeline might have dreamt of behaving, but—she was not Marcella, and only wanting to be, and he
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