kisses." A manuscript in the rough of Euphemia's that I recently suppressed was an absolutely scandalous example of this method of utilising one's acquaintances. Mrs. Harborough, who was indeed Euphemia's most confidential friend for six weeks or more, she had made to elope with Scrimgeour—as steady and honourable a man as we know, though unpleasant to Euphemia on account of his manner of holding his teacup. I believe there really was something—quite harmless, of course—between Mrs. Harborough and Scrimgeour, and that imparted in confidence had been touched up with vivid colour here and there and utilised freely. Scrimgeour is represented as always holding teacups in his peculiar way, so that any one would recognise him at once. Euphemia calls that character. Then Harborough, who is really on excellent terms with his wife, and, in spite of his quiet manner, a very generous and courageous fellow, is turned aside from his headlong pursuit of the fugitives across Wimbledon Common—they elope, by-the-bye, on Scrimgeour's tandem bicycle—by the fear of being hit by a golf ball. I pointed out to Euphemia that these things were calculated to lose us friends, and she promises to destroy the likeness; but I have no confidence in her promise. She will probably clap a violent auburn wig on Mrs. Harborough and make Scrimgeour squint and give Harborough a big beard. The point that she won't grasp is that with that fatal facility for detail which is one of the most indisputable proofs of woman's intellectual inferiority, she has reproduced endless remarks and mannerisms of these excellent people with
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