At least, never put the name of the author you quote. Think of the feelings of the dead. Don't let the poor spirit take it to heart that its monumental sayings would pass unrecognised without your advertisement. You mean well, perhaps, but it is in the poorest taste. Yet I have seen Patience on a Monument honourably awarded to William Shakespeare, and fenced in by commas from all intercourse with the general text.
There is a touch of dishonesty, too, in acknowledging quotations. Possibly the good people who contrive that such signatures as "Shakespeare," "Homer," or "St. Paul," appear to be written here and there to parts of their inferior work, manage to justify the proceeding in their conscience; but it is uncommonly like hall-marking pewter on the strength of an infinitesimal tinge of silver therein. The point becomes at once clear if we imagine some obscure painter quoting the style of Raphael and fragments of his designs, and acknowledging his indebtedness by appending the master's signature. Blank forgery! And a flood of light was thrown on the matter by a chance remark of one of Euphemia's aunts—she is a great reader of pure fiction—anent a popular novel: "I am sure it must be a nice book," said she, "or she could not get all these people to write the mottoes for the chapters."
No, it is all very well to play with one's conscience. I have known men so sophisticated as to assert that unacknowledged quotation was wrong. But very few really reasonable people will, I think, refuse to agree with me that the only artistic, the only kindly, and
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