THE PRINCIPAL CHARACTER
deliberately unfolding and refolding some patterns of cretonne. By twenty-one he too may hope to be a full-blown assistant, even as Mr. Hoopdriver. Prints depend from the brass rails above them, behind are fixtures full of white packages containing, as inscriptions testify, Lino, Hd Bk, and Mull. You might imagine to see them that the two were both intent upon nothing but smoothness of textile and rectitude of fold. But to tell the truth, neither is thinking of the mechanical duties in hand. The assistant is dreaming of the delicious time—only four hours off now—when he will resume the tale of his bruises and abrasions. The apprentice is nearer the long long thoughts of boyhood, and his imagination rides cap-à-pie through the chambers of his brain, seeking some knightly quest in honour of that Fair Lady, the last but one of the girl apprentices to the dress-making upstairs. He inclines rather to street fighting against revolutionaries—because then she could see him from the window.
Jerking them back to the present comes the puffy little shop-walker, with a paper in his hand. The The apprentice becomes extremely active. The shop-walker eyes the goods in hand. "Hoopdriver," he says, "how's that line of g-sez-x ginghams?"
Hoopdriver returns from an imaginary triumph over the uncertainties of dismounting. "They're going fairly well, sir. But the larger checks seem hanging."
The shop-walker brings up parallel to the counter. "Any particular time when you want your holidays?" he asks.
9
