LOVE AND MR. LEWISHAM
evening at the Library. He must ask her to forego these walks home—at least until the next examination. She would understand. He had a qualm of doubt whether she would understand. . . . He grew angry at this possibility. But it was no good mincing matters. If once he began to consider her— Why should he consider her in that way? Simply because she was unreasonable!
Lewisham had a transitory gust of anger.
Yet that abandonment of the walks insisted on looking mean to him. And she would think it mean. Which was very much worse, somehow. Why mean? Why should she think it mean? He grew angry again.
The portly museum policeman who had been watching him furtively, wondering why a student should sit in front of the Sacrifice of Lystra and gnaw lips and nails and moustache, and scowl and glare at that masterpiece, saw him rise suddenly to his feet with an air of resolution, spin on his heel, and set off with a quick step out of the gallery. He looked neither to the right nor the left. He passed out of sight down the staircase.
"Gone to get some more moustache to eat, I suppose," said the policeman reflectively. . . .
"One 'ud think something had bit him."
After some pensive moments the policeman strolled along down the gallery and came to a stop opposite the cartoon.
"Figgers is a bit big for the houses," said the policeman, anxious to do impartial justice. "But that's Art. I lay 'e couldn't do anything. . . not arf so good."
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