THE GLAMOUR FADES
night Lewisham lay awake in unfathomable amazement because she had convinced him she did not care a rap for the Welfare of Humanity, and deemed his Socialism a fancy and an indiscretion. And one Sunday afternoon they started for a walk under the pleasantest auspices, and returned flushed and angry, satire and retort flying free—on the score of the social conventions in Ethel's novelettes. For some inexplicable reason Lewisham saw fit to hate her novelettes very bitterly. These encounters indeed were mere skirmishes for the most part, and the silences and embarrassments that followed ended sooner or later in a “making up," tacit or definite, though once or twice this making up only re-opened the healing wound. And always each skirmish left its scar, effaced from yet another line of their lives the lingering tints of romantic colour.
There came no work, no added income for either of them, saving two trifles, for five long months. Once Lewisham won twelve shillings in the prize competition of a penny weekly, and three times came infinitesimal portions of typewriting from a poet who had apparently seen the Athenæum advertisement. His name was Edwin Peak Baynes and his handwriting was sprawling and unformed. He sent her several short lyrics on scraps of paper with instructions that he desired "three copies of each written beautifully in different styles" and "not fastened with metal fasteners but with silk thread of an appropriate colour." Both of our young people were greatly exercised by these instructions. One fragment was called "Bird Song," one "Cloud
453
