KIPPS
fancied he had mentioned it earlier in the evening—he was happily married. She was, he indicated, a "born lady." Her father was a prominent lawyer, a solicitor in Kentish Town, "done a lot of public-house business"; her mother was second cousin to the wife of Abel Jones, the fashionable portrait painter—"almost Society people in a way." That didn't count with Chitterlow. He was no snob. What did count was that she possessed what he ventured to assert without much fear of contradiction, was the very finest completely untrained contralto voice in all the world. ("But to hear it properly," said Chitterlow, "you want a Big Hall.") He became rather vague and jerked his head about to indicate when and how he had entered matrimony. She was, it seemed, "away with her people." It was clear that Chitterlow did not get on with these people very well. It would seem they failed to appreciate his playwriting, regarding it as an unremunerative pursuit, whereas, as he and Kipps knew, wealth beyond the dreams of avarice would presently accrue. Only patience and persistence were needful.
He went off at a tangent to hospitality. Kipps must come down home with him. They couldn't wander about all night, with a bottle of the right sort pining at home for them. "You can sleep on the sofa. You won't be worried by broken springs anyhow, for I took 'em all out myself two or three weeks ago. I don't see what they ever put 'em in for. It's a point I know about. I took particular notice of it when I was with Bessie Hopper. Three months we were, and all over England, North Wales, and the
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