THE NEW CONDITIONS
wishing he had the sound, clear common sense of Buggins to help him a little, the Parcels Post brought along the box from his uncle. It was a large, insecure-looking case held together by a few still loyal nails, and by what the British War Office would have recognised at once as an Army Corps of string, rags and odds and ends tied together. Kipps unpacked it with a table knife, assisted at a critical point by the poker, and found a number of books and other objects of an antique type.
There were three bound volumes of early issues of Chambers' Journal, a copy of Punch's Pocket Book for 1875, Sturm's Reflections, an early version of Gill's Geography (slightly torn), an illustrated work on Spinal Curvature, an early edition of Kirke's Human Physiology, "The Scottish Chiefs" and a little volume on the Language of Flowers. There was a fine steel engraving, oak-framed and with some rusty spots, done in the Colossal style and representing the Handwriting on the Wall. There were also a copper kettle, a pair of candle snuffers, a brass shoehorn, a tea caddy to lock, two decanters (one stoppered) and what was probably a portion of an eighteenth-century child's rattle.
Kipps examined these objects one by one and wished he knew more about them. Turning over the pages of the Physiology again he came upon a striking plate in which a youth of agreeable profile displayed his interior in an unstinted manner to the startled eye. It was a new view of humanity altogether for Kipps, and it arrested his mind. "Chubes," he whispered. "Chubes."
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