THE NEW CONDITIONS
low knew about women, and which was to centre about a Russian nobleman embodying the fundamental Chitterlow personality. Then it became clearer that Kipps was to produce several plays. Kipps was to produce a great number of plays. Kipps was to found a National Theatre.
It is probable that Kipps would have expressed some sort of disavowal, if he had known how to express it. Occasionally his face assumed an expression of whistling meditation, but that was as far as he got towards protest.
In the clutch of Chitterlow and the Incalculable, Kipps came round to the house in Fenchurch Street, and was there made to participate in the midday meal. He came to the house, forgetting certain confidences, and was reminded of the existence of a Mrs. Chitterlow (with the finest completely untrained contralto voice in England) by her appearance. She had an air of being older than Chitterlow, although probably she wasn't, and her hair was a reddish brown, streaked with gold. She was dressed in one of those complaisant garments that are dressing gowns or tea gowns or bathing wraps or rather original evening robes according to the exigencies of the moment—from the first Kipps was aware that she possessed a warm and rounded neck, and her well-moulded arms came and vanished from the sleeves—and she had large, expressive brown eyes that he discovered ever and again fixed in an enigmatical manner upon his own.
A simple but sufficient meal had been distributed with careless spontaneity over the little round table in
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