KIPPS
home. Toke and cold ground-rice puddin' with plums it used to be—there is no better food at all. And for the background, in the place of Woodrow's mean and fretting rule, were his aunt's spare but frequently quite amiable figure—for though she insisted on his repeating the English Church Catechism every Sunday, she had an easy way over dinners that one wanted to take abroad—and his uncle, corpulent and irascible, but sedentary and easily escaped. And freedom!
The holidays were indeed very different from school. They were free, they were spacious, and though he never knew it in these words—they had an element of beauty. In his memory of his boyhood they shone like strips of stained-glass window in a dreary waste of scholastic wall, they grew brighter and brighter as they grew remoter. There came a time at last and moods when he could look back to them with a feeling akin to tears.
The last of these windows was the brightest, and instead of the kaleidoscopic effects of its predecessors its glory was a single figure. For in the last of his holidays, before the Moloch of Retail Trade got hold of him, Kipps made his first tentative essays at the mysterious shrine of Love. Very tentative they were, for he had become a boy of subdued passions, and potential rather than actual affectionateness.
And the object of these first stirrings of the great desire was no other than Ann Pornick, the head of whose doll he and Sid had broken long ago, and rejoiced over long ago, in the days when he had yet to learn the meaning of a heart.
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