THE HOUSING PROBLEM
name shook her head at Kipps in an aside) so far as the exterior went. For his own part, he said, he liked to have the exterior of a house in a style, not priggishly in a style, but mixed with one style uppermost; and the gables and dormers and casements of the Queen Anne style, with a little rough-cast and sham timbering here and there and perhaps a bit of an overhang diversified a house and made it interesting. The advantage of what he called a Queen Anne style was that it had such a variety of features. . . . Still, if they were prepared to be unconventional it could be done. A number of houses were now built in the unconventional style and were often very pretty. In the unconventional style one frequently had what perhaps he might call Internal Features, for example an Old English oak staircase and gallery. White rough-cast and green paint were a good deal favoured in houses of this type.
He indicated that this excursus on style was finished by a momentary use of his cough, and reopened his notebook, which he had closed to wave about in a moment of descriptive enthusiasm while expatiating on the unbridled wealth of External Features associated with Queen Anne. "Six bedrooms," he said, moistening his pencil. "One with barred windows suitable for a nursery if required."
Kipps indorsed this huskily and reluctantly.
There followed a most interesting discussion upon house building, in which Kipps played a minor part. They passed from bedrooms to the kitchen and scullery, and there Ann displayed an intelligent exactingness that won the expressed admiration of the
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