A MODERN UTOPIA
out of freedom, and the filth made by horses and the other brutes of the highway vanish from the face of the earth. These things make an old story to me, and perhaps explicitness suffers through my brevity.
My botanist fails altogether to grasp what the disappearance of diseases means. His mind has no imaginative organ of that compass. As I talk his mind rests on one fixed image. This presents what the botanist would probably call a "dear old doggie"—which the botanist would make believe did not possess any sensible odour—and it has faithful brown eyes and understands everything you say. The botanist would make believe it understood him mystically, and I figure his long white hand—which seems to me, in my more jaundiced moments, to exist entirely for picking things and holding a lens—patting its head, while the brute looked things unspeakable. . . .
The botanist shakes his head after my explanation and says quietly, "I do not like your Utopia, if there are to be no dogs."
Perhaps that makes me a little malicious. Indeed I do not hate dogs, but I care ten thousand times more for a man than for all the brutes on the earth, and I can see, what the botanist I think cannot, that a life spent in the delightful atmosphere of many pet animals may have too dear a price. . . .
I find myself back again at the comparison of the botanist and myself. There is a profound difference in our imaginations, and I wonder whether it is the consequence of innate character or of training and whether he is really the human type or I. I am not altogether without imagination, but what imagination
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