THE AMERICAN OUTLOOK
ideas, impervious to generalisations, a public which has carried the conception of freedom to its logical extreme of entire individual detachment. These tell-tale columns deal all with personality and the drama of personal life. They witness to no interest but the interest in intense individual experiences. The engagements, the love affairs, the scandals of conspicuous people are given in pitiless detail in articles adorned with vigorous portraits and sensational pictorial comments. Even the eavesdroppers who write this stuff strike the personal note, and their heavily muscular portraits frown beside the initial letter. Murders and crimes are worked up to the keenest pitch of realisation, and any new indelicacy in fashionable costume, any new medical device or cure, any new dance or athleticism, any new breach in the moral code, any novelty in sea bathing or the woman's seat on horseback, or the like, is given copious and moving illustration, stirring headlines, and eloquent reprobation. There is a coloured supplement of knock-about fun, written chiefly in the quaint dialect of the New York slums. It is a language from which "th" has vanished, and it presents a world in which the kicking by a mule of an endless succession of victims is an inexhaustible joy to young and old. "Dat ole Maud!" There is a smaller bale dealing with sport. In the advertisement columns one finds nothing of books, nothing of art; but great choice of bust developers, hair restorers, nervous tonics, clothing sales, self-contained flats, and business opportunities. . . .
Individuality has in fact got home to itself, and,
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