edition, two months later. The dedication was to Laurent-Jan. [See "Jan" in Repertory.] The play was a distinct failure, but its construction and temper combine to explain this. At the same time it makes interesting reading; and it will prove especially entertaining to readers of the Comedie Humaine who have dreaded and half-admired the redoubtable law-breaker, who makes his initial entrance in Le Pere Goriot and plays so important a part in Illusions Perdues, and Splendeurs et Miseres des Courtisanes. Here we find Vautrin in a favorite situation. He becomes the powerful protector of an unknown young man—much as he picked up Lucien de Rubempre in Illusions Perdues, and attempted to aid Rastignac in Le Pere Goriot—and devotes all his sinister craft to his protege's material interests. The playwright is careful to preserve some degree of the young man's self-respect. Chance favors the two by providing the unknown hero with worthy parents; and Vautrin's schemes unexpectedly work out for good. As in the story of Pere Goriot again, Vautrin, after furthering matrimonial deals and other quasi-benevolent projects, ends in the clutches of the law. Of Raoul little need be said. He is the foil for his dread protector and he is saved from dishonor by a narrow margin. The scene is laid at Paris, just after the second accession of the House of Bourbon, in 1816. Titles and families are in some confusion on account of the change of dynasties. It is therefore an opportune time for Vautrin to manufacture scutcheons as occasion may demand. Since this story of Vautrin is not included in the Comedie, it will not be found among the biographical facts recorded in the Repertory.
Les Ressources de Quinola, a comedy in a prologue and
