Page:The Works of Lord Byron (ed. Coleridge, Prothero) - Volume 2.djvu/560

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CHILDE HAROLD’S PILGRIMAGE.
[CANTO IV.

This grotto and valley were formerly frequented in summer, and particularly the first Sunday in May, by the modern Romans, who attached a salubrious quality to the fountain which trickles from an orifice at the bottom of the vault, and, overflowing the little pools, creeps down the matted grass into the brook below. The brook is the Ovidian Almo, whose name and qualities are lost in the modern Aquataccio. The valley itself is called Valle di Caffarelli, from the dukes of that name who made over their fountain to the Pallavicini, with sixty rubbia of adjoining land.

There can be little doubt that this long dell is the Egerian valley of Juvenal, and the pausing place of Umbritius, notwithstanding the generality of his commentators have supposed the descent of the satirist and his friend to have been into the Arician grove, where the nymph met Hippolitus, and where she was more peculiarly worshipped.

The step from the Porta Capena to the Alban hill, fifteen miles distant, would be too considerable, unless we were to believe in the wild conjecture of Vossius, who makes that gate travel from its present station, where he pretends it was during the reign of the Kings, as far as the Arician grove, and then makes it recede to its old site with the shrinking city.[1] The tufo, or pumice, which the poet prefers to marble, is the substance composing the bank in which the grotto is sunk.

The modern topographers[2] find in the grotto the statue of the nymph, and nine niches for the Muses; and a late traveller[3] has discovered that the cave is restored to that simplicity which the poet regretted had been exchanged for injudicious ornament. But the headless statue is palpably rather a male than a nymph, and has none of the attributes ascribed to it at present visible. The nine Muses could hardly have stood in six niches; and Juvenal certainly does not allude to any individual cave.[4] Nothing can be collected from the satirist but that somewhere near the Porta Capena was a spot in which it was supposed Numa held nightly consultations with his nymph, and where there was a grove and

  1. De Magnit. Vet. Rom., ap. Græv., Ant. Rom., iv. 1507 [I. Vossius, De Ant. Urb. Rom. Mag., cap. iv.]
  2. Eschinard, Descrizione di Roma e dell' Agro Romano, Roma, 1750. They believe in the grotto and nymph. "Simulacro di questo Fonte, essendovi scolpite le acque a pie di esso" (p. 297).
  3. Classical Tour, vol. ii. chap. vi. p. 217.
  4. Lib. I. Sat. iii. lines 11-20.