Gloria alone made no sound. She fixed Mr. Bloeckman with a glance of silent reproach.
"Well, for the love of Heaven! Where on earth did you dig that up?"
Bloeckman looked at her uncertainly, not sure of her intention. But in a moment he recovered his poise and assumed the bland and consciously tolerant smile of an intellectual among spoiled and callow youth.
The soup came up from the kitchen—but simultaneously the orchestra leader came up from the bar, where he had absorbed the tone color inherent in a seidel of beer. So the soup was left to cool during the delivery of a ballad entitled "Everything's at Home Except Your Wife."
Then the champagne—and the party assumed more amusing proportions. The men, except Richard Caramel, drank freely; Gloria and Muriel sipped a glass apiece; Rachael Jerryl took none. They sat out the waltzes but danced to everything else—all except Gloria, who seemed to tire after a while and preferred to sit smoking at the table, her eyes now lazy, now eager, according to whether she listened to Bloeckman or watched a pretty woman among the dancers. Several times Anthony wondered what Bloeckman was telling her. He was chewing a cigar back and forth in his mouth, and had expanded after dinner to the extent of violent gestures.
Ten o'clock found Gloria and Anthony beginning a dance. Just as they were out of ear-shot of the table she said in a low voice:
"Dance over by the door. I want to go down to the drug-store."
Obediently Anthony guided her through the crowd in the designated direction; in the hall she left him for a moment, to reappear with a cloak over her arm.
