Grammar, through all its forty editions, till he brought it to a degree of perfection which will render it as permanent as the English language itself;" censures (and not without reason) the "presumption" of those "superficial critics" who have attempted to amend the work, and usurp his honours; and, regarding the compiler's confession of his indebtedness to others, but as a mark of "his exemplary diffidence of his own merits," adds, (in very bad English,) "Perhaps there never was an author whose success and fame were more unexpected by himself than Lindley Murray."--The Friend, Vol. iii, p. 33.
17. In a New-York edition of Murray's Grammar, printed in 1812, there was inserted a "Caution to the Public," by Collins & Co., his American correspondents and publishers, in which are set forth the unparalleled success and merit of the work, "as it came in purity from the pen of the author;" with an earnest remonstrance against the several revised editions which had appeared at Boston, Philadelphia, and other places, and against the unwarrantable liberties taken by American teachers, in altering the work, under pretence of improving it. In this article it is stated, "that the whole of these mutilated editions have been seen and examined by Lindley Murray himself, and that they, have met with his decided disapprobation. Every rational mind," continue these gentlemen, "will agree with him, that, 'the rights of living authors, and the interests of science and literature, demand the abolition of this ungenerous practice.'" (See this also in Murray's Key, 12mo, N. Y., 1811, p. iii.) Here, then, we have the feeling and opinion of Murray himself, upon this tender point of right. Here we see the tables turned, and other men judging it "scarcely necessary to apologize for the use which they have made of their predecessors' labours."
18. It is really remarkable to find an author and his admirers so much at variance, as are Murray and his commenders, in relation to his grammatical authorship; and yet, under what circumstances could men have stronger desires to avoid apparent contradiction? They, on the one side, claim for him the highest degree of merit as a grammarian; and continue to applaud his works as if nothing more could be desired in the study of English grammar--a branch of learning which some of them are willing emphatically to call "his science." He, on the contrary, to avert the charge of plagiarism, disclaims almost every thing in which any degree of literary merit consists; supposes it impossible to write an English grammar the greater part of which is not a "compilation;" acknowledges that originality belongs to but a small part of his own; trusts that such a general acknowledgement will protect him from all censure; suppresses the names of other writers, and leaves his examples to rest solely on his own authority; and, "contented with the great respectability of his private character and station, is satisfied with being useful as an author."--The Friend, Vol. iii, p. 33. By the high praises bestowed upon his works, his own voice is overborne: the trumpet of fame has drowned it. His liberal authorship is profitable in trade, and interest has power to swell and prolong the strain.
19. The name and character of Lindley Murray are too venerable to allow us to approach even the errors of his grammars, without some recognition of the respect due to his personal virtues and benevolent intentions. For the private virtues of Murray, I entertain as cordial a respect as any other man. Nothing is argued against these, even if it be proved that causes independent of true literary merit have given him his great and unexpected fame as a grammarian. It is not intended by the introduction of these notices, to impute to him any thing more or less than what his own words plainly imply; except those inaccuracies and deficiencies which still disgrace his work as a literary performance, and which of course he did not discover. He himself knew that he had not brought the book to such perfection as has been ascribed to it; for, by way of apology for his frequent alterations, he says, "Works of this nature admit of repeated improvements; and are, perhaps, never complete." Necessity has urged this reasoning upon me. I am as far from any invidious feeling, or any sordid motive, as was Lindley Murray. But it is due to truth, to correct erroneous impressions; and, in order to obtain from some an i
