Reade's account of this rupture is probably the most truthful, as it is the most charitable:—
"Dumas, if I understand rightly, used to treat with the publishers and managers, and settle with his collaborator. Dumas fell into arrears with him, arrears which, if his heart alone had been to be consulted, would have been paid to the centime; but unfortunately he had other creditors, who interposed with legal powers. In short, the situation was so desperate that Maquet had no course open to him but to withdraw from the connection; he did so, leaving 130,000 francs behind him—say £5,200."
In 1856-8 Maquet brought an action against Dumas, but although his share of the authorship of several of the most famous romances was declared, the court awarded him no further funds—a significant fact.
In 1853 the exile wearied to see his beloved Paris again, and as public affairs had quieted down, and as no doubt pressing invitations were issued by his friends, Dumas returned to Paris full of a new enthusiasm. At the establishment of the "Maison D'Or," in the Rue Lafitte, rooms were allotted to the great man, and a paper was issued under his editorship. This was the Mousquetaire, which started with the most brilliant prospects. The circulation throve exceedingly: the master slaved at his desk; and his name, and
