the literary sphere. On one occasion these extremes did meet, being invited by a well-meaning friend, but the result was not happy. Balzac had spoken contemptuously of his rival in popularity as "a nigger," and Dumas was not disposed to forget it. It was a Quaker's meeting, for neither guest spoke until they were both leaving. Then Balzac said:
"When I am written out, I'll take to writing dramas."
And Dumas replied—
"You'd better begin at once, then."
And they parted. Yet Balzac saw that Dumas, like George Sand, had none of the low jealousy and littlenesses which obscured so many contemporary talents, and Dumas, who always wrote with appreciation of Balzac's talents, followed his coffin to the grave when the author of "Père Goriot" died in 1850.
A still greater bête-noire of Dumas's was Buloz, the editor of the Revue des Deux Mondes, for which periodical the "Isabel de Bavière" chroniques were written. The pair had quarrelled over the production of "Caligula" at the Comédie Frauçaise, for at that time Buloz was commissary of the national theatre. For some months afterward Dumas, who was witty even in his dislikes, "embroidered" his correspondence with varying but
