life, although the genius of each was quite unaffected by his admiration and affection for his confrère. It is true that the plays of one suggested ideas to the other, but the influence went no deeper. Dumas first met Hugo about the time of the production of "Henri Trois,"—in a show on the Boulevard du Temple, he tells us!—and Hugo invited his new acquaintance to attend the private reading of "Marion Delorme." The two young "Romantics" became instant friends, and Dumas never wearied of singing the praises of the poet, who on his part, although of a less demonstrative nature, seems to have remained a loyal friend throughout.
We have referred to Dumas's eulogy of "Marion Delorme," and Hugo's noble championship of his comrade, on the occasion when the Legion of Honour was conferred on him and then withdrawn. Unfortunately, a bitter attack on Dumas, written by Granier de Cassagnac, appeared in 1833, against Hugo's wishes, in a journal with which the poet was known to be connected. An attempt was made by ill-advised partisans to set the rival dramatists in opposition to each other. It may have been this which caused the coolness to exist between the two friends in 1837-8, but in the latter year Madame Dumas died, and her sorrowing son forgot the old enmity and invited Hugo to the funeral. This was the poet's reply:
