the exiled poet in the press, Dumas wrote to the Comédie Française to demand that the actress who had insulted his friend should not be allowed to play in his comedies in the future. Hugo in writing to thank his comrade for his loyalty, added, "I feel I must write to tell you that I love you more every day, not only because you are one of the wonders of the century, but because you are one of its consolations." The letter ended with an urgent invitation to visit the poet at Guernsey. Dumas duly journeyed to see the exile (in 1857), an act on which Charles Hugo comments admiringly. It was not only brave of him (he says), it was thoughtful. The bond between the two great men remained unbroken till the end, and Hugo wrote to the younger Dumas on the occasion of his father's death one of his characteristically noble and tender letters.
With all his defects of training and his semi-plebeian birth, Dumas was a man of taste. Pictures, music, bric-à-brac, ancient art in sculpture and design, all that was best in the artistic sense, appealed to him. His admiration for architecture was real and ardent, and when during his travels in La Vendée he visited the cathedral at Angers, and found an architect busy—"restoring" the church—by scraping it!—his comment was severe in spite of its wit. "Alas, it takes twenty-five years to make a
