To those who have so far followed the progress of this sketch of Dumas's life and character it will be a matter of no surprise to learn that he was a humanitarian. His father had earned the nickname of "Mr Humanity" from the fierce sansculottes of the Revolution, because he drew down the blinds of his room rather than witness the execution of some poor wretches whom the fanaticism of the time had doomed to the guillotine. And as the love of one's kind is only a grander form of charity, Dumas the charitable was never found wanting. Sometimes he used his influence to save a coiner from the gallows; sometimes he racked his wits to prevent a duel which was likely to end fatally; sometimes he would write autographs and aphorisms by the hundred, that some wretch in poverty might benefit by the sale. When "Notre Dame des Arts" was founded, Fitzgerald tells us, Dumas took the translation of a little German play, shaped it, disposed of it for £800, and presented the money to the charity. A poor monk journeying from Palestine, to obtain funds for the rebuilding of his monastery at Carmel, appealed to the writer, who laid the good man's petition before the public through the columns of a friendly journal. No less a sum than 300,000 francs was raised, and the monk went home joyfully, his quest accomplished.
Brunswick, who provided the base-idea on which
