Page:The life and writings of Alexandre Dumas (1802-1870) (IA lifewritingsofal00spurrich).pdf/245

must look for that spirit of morality, which is one of the chief merits of the book, makes one of the main joys of its perusal, and sets it high above more popular rivals. Athos, with the coming of years, has declined too much into the preacher, and the preacher of a sapless creed; but D'Artagnan has mellowed into a man so witty, rough, kind and upright, that he takes the heart by storm. There is nothing of the copybook about his virtues, nothing of the drawing-room in his fine, natural civility; he will sail near the wind; he is no district visitor—no Wesley or Robespierre; his conscience is void of all refinement whether for good or evil; but the whole man rings true like a good sovereign. I do not say there is no character as well-drawn in Shakespeare; I do say there is none that I love so wholly. There are many spiritual eyes that seem to spy upon our actions—eyes of the dead and the absent, whom we imagine to behold us in our most private hours, and whom we fear and scruple to offend; our witnesses and judges. And among these, even if you should think me childish, I must count my D'Artagnan—not the D'Artagnan of the memoirs, whom Thackeray pretended to prefer—a preference, I take the freedom of saying, in which he stands alone—not the D'Artagnan of flesh and blood, but him of the ink and paper; not Nature's but Dumas's."